Category Archives: acting

We’re Doing A Show!

Holiday Gem Ad Art

Rene and I are doing a song and dance review for the holidays! It’s performing at the Gem Theater in Garden Grove and tickets go on sale this week. This is the first full musical review I’ve done in nearly twenty years! It’s been so long that I actually pulled a muscle in my foot as I was practicing at home.

I’m falling apart.

If you enjoyed the old Andy Williams Christmas Specials in the 60’s, 70’s and 80’s (yes, that’s a tiny Donny Osmond) then this show is right up your alley. We’ve been told that tickets will sell fast GO GET THEM NOW!

I know, Halloween has barely past and it’s Christmas already.

Happy Thanksgiving!

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Fun Size Horror HAPPY HALLOWEEN! – More Shorts and A Little History

FunSized_Keyart_color CROP

EDIT: This was originally written for yesterday, but it looks like it didn’t get posted, so I’ve made some adjustments and am posting today. Apologies to my friends who’s shorts aired yesterday that this blog wasn’t a portal for people to see your stuff. -C.A.

The shameless self-promotion train continues today as we have five spook-tacular shorts premiering today: Fun Size Horror web site

Since neither Rene or I have any shorts playing today (although they are absolutely worth checking out, it’s a good mix today) I thought it might be nice to give a little history as to how Rene and I got involved in this project in the first place.

This whole project is the brainchild of my friend Zeke Pinheiro. He’s a director/writer/editor and you’ve probably seen his and my names together before particularly if you remember a horror film that we were trying to get made called The Pom Pom Massacre. The one thing we ran into, time and time again, was a lack of ability to get the film funded. Even after a successful Kickstarter to help get the development funds we needed, we just couldn’t lock the financing down. This happened for a few projects in a row and it started to feel like we were always looking for money and never actually making anything.

Last November I got a call from Zeke while I was on set for a commercial. He said that he wanted to make 31 short films for Halloween and release one every day in October. They would all be self-financed so we wouldn’t need to lock down funding. He and I know too many talented people, if we could just find a few that wouldn’t mind helping us out we’d probably be able to do it. That being said, I was a bit flabbergasted. But, it sounded like a hell of a lot of fun and I’m always up for a challenge so I told him I was in. After that he reached out to Mali Elfman and Michael May, two other friends of ours in the industry. Together we started building a plan.  That plan was to reach out to other filmmakers we know and see if they were into the idea of:

  • Creating a short film at 2 minutes or less. (This idea changed later.)
  • It would be self-produced and funded. (We had no money to offer anyone.)
  • The creator maintaining all rights and intellectual property.
  • They licensing us the right to air it through the end of 2014 on whatever distribution we can get, even if it’s just our own YouTube page, and have the option to participate in a bigger release if they choose.

Simple plans with a simple goal: get projects into production and get them seen by the public.

Thankfully a LOT of filmmakers we picking up what we were putting down and we were pleased to have more projects pitched than we were even able to use!

This is the first of what could be an annual event. So many great little shorts have come out of this and there is so much talent that Rene and I have had the pleasure of working with now. I look forward to how those relationships grow. I hope you’ve enjoyed the shorts this year. Check out the Facebook page and come to the public screening if you’re in L.A. on November 2nd.

See you next time!

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Filed under acting, Andelon, awesome, business, filmmaking, Halloween, making movies, storytelling, the future, video, YouTube

Fun Video Friday! Brick Novax’s Diary

I had the pleasure of working with director Matt Piedmont on a PSA for AdCouncil this week. It was a blast! It’s a fun spot and the crew were tight and efficient. We worked so quickly that I didn’t have a chance to geek out on him about one of Rene and my favorite short films: Brick Novax’s Diary! We saw it the year it premiered at Sundance as part of a shorts program. It was in the morning and we were still groggy from the events the evening before. This short perked us up and was all we talked about for hours afterward. It even came up in conversation recently when Rene brought it up to the executive director of the Big Bear Lake International Film Festival.

So here, presented in this post, I give you Brick Novax’s Diary. Enjoy!


See you next time!

 

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Filed under acting, directing, dolphins, fun video friday, funny, short film, video, videos, YouTube

Actor 101: The Actor, The Art & Advertising

Being a working actor can be tough. You willingly jump into a world where only a very small percentage  of people in your field know where their next paycheck is coming from. It is a world where you constantly put your talent on display and are regularly told “no.” Those without thick skins are harried by doubt and even those who have the mental fortitude have moments where they wonder if it’s all worth it.

So it’s easy to see why, when the actor is working, they take a great deal of joy in being a part of whatever production they are a part of. But what I want to remind you of today, especially given the current shift in how media works, is that the actor, no matter what media they perform in, is a sales person and as much as we want to use our art to effect people we are being hired to sell things to them. 
You may be saying to yourself, “Whoa, dude, I’m an artist! I’m not some shill!”
I have bad news for you, you are totally a shill. 
Here’s the good news, these things DO NOT need to be mutually exclusive. 
Note One: television exists because of and for commercials, not the other way around. 
If it wasn’t for the products that need to be sold there would be nothing on television. It would be a dead platform. Ever heard of soap operas? They got their name because they were paid for by the soap companies that wanted to be seen by mothers who were home during the day. Ever wonder why network television doesn’t push boundaries very often? They need to sell ad space and, as anyone whose ever heard the word “boycott” before knows, the networks are very nervous about alienating their audiences. Ever wonder how HBO manages to create shows like “Game of Thrones?” One word: subscribers. All television is paid for by the audience, whether indirectly by buying products or directly by paying subscriptions. 
Note Two: Performing in commercials is an art all on its own. 
As I just mentioned, the reason “Breaking Bad” is on TV is to create a space of sixty minutes where 13-18 minutes can be filled with ad space to sell to the companies that want you, the “Breaking Bad” audience member, to see their products. Advertisers know that the double edged sword of this relationship is that most of the audience doesn’t care how essential these commercials are and they would rather not see any commercials so they work VERY hard to create little 30-second stories that sell a product and try to be as entertaining as possible. We, as the commercial actors, are then required to bring life to these stories so that sales are made which then translates into revenue that can be budgeted to be spent on more ad buys. There’s a reason that whole classes are dedicated to commercial acting and it’s because it has a very different feel and goal than what you would learn in your standard on-camera Stanaslovsky based classes. The basic techniques are the same, but execution is very different. 
(Author note: I will probably do a whole different entry about the differences in acting styles. They are very different and understanding them can be the difference between booking and not booking. – CA)
Note Three: Selling something is not the same as “selling out.”
For the actor as an artist, “selling out” can be one of the worst things you can be accused of. Music artists are accused of this all the time and it usually comes when the artist in question starts making a whole buncha’ money and becomes more well known. When the original fan base feels marginalized they lash out, but actual selling out is different. Selling out, by definition, is accepting money or other compensation for compromising your principals and/or integrity. Integrity – that’s the name of the game. So, by that definition, a militant vegan actor doing a commercial for zucchini? No problem, sell away. Same militant vegan selling sausage? Well, that isn’t looking great for your integrity. And things like this are considered even by the talent agencies. Each time I have signed with a commercial agent they have always provided me with a data sheet that asks if there are any products or companies that I am not willing to endorse or work for. And they pay attention to that. You should too. Even in this economy, where it can feel like heresy to decline any kind of work, if you can’t maintain your personal integrity you may not be in the right field. Paychecks are great, for sure, but are they worth the regret and resentment that it may come later? Only you can answer that. 
Note Four: Media is changing so fast that we are doing sales more than ever. 
Let’s just ignore the traditional sales aspects of the job for a second. As any actor has noticed the whole internet thing seems to have caught on and it has changed our career completely. Instead of hard copy head shots being delivered by messengers we now just sign up for a few different casting sites and get our info emailed. Instead of just the networks and cable there’s now internet commercials, web series, webisodes to supplement network shows, personal YouTube channels and a host of things that can hire you that didn’t even exist three years ago. There’s also about 1000 times the competition for those jobs. There has always been a “personal branding” aspect to the business and to some extent a need to sell yourself, but now you need to get yourself above a growing amount of noise from up and comers who may have a better knowledge of After Effects than you do (I’m not saying that your acting reel should have light sabers in every scene, but it can’t hurt, right? But seriously, don’t do that.). Now marketing yourself is as important as technique because you could be the most amazing actor in the world, but it doesn’t mean a thing if people don’t know who you are. I’d be lying if I didn’t mention that this blog is part of a bigger strategy to help sell myself! Social media, the right pictures, websites and, when appropriate, public relations professionals are all important components to a personal marketing strategy. 
Sales and selling can feel like bad words sometimes. It carries a connotation of lying or being disingenuous, but in the end what it really does is let tell people about a product or service. In the case of the actor it advertises you and your talents. It’s important that you not ignore this aspect of the career. Remember if you maintain your personal integrity and remain authentic to what you are then you have no reason to feel bad about what you put out. 
Do you have opinions about selling, whether it be of yourself or products? Tell me in the comments. 
See you soon. 

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Filed under acting, actor 101, actor stuff, commercials, marketing

New Course Schedule at Studio 105!

 
 
Starting in 2014 there will be new options to help build your career or introduce you to your inner actor. Our new All-Ages Beginner Class will now be availabe on Mondays from 6-8pm taught by Curtis Andersen. This class will focus on all the acting basics utilizing our tried and tested three-prong system focusing on improvisation, scene study and audition techniques; great for someone just starting out. You’ll learn in a comfortable environment with others at your level so there’s no risk of feeling out of place or embarrassed.
Also we will be introducing our new seminar program. At the end of each quarter we will present a seminar designed to help further your career, whether it be in the entertainment industry or not! In March and October we’ll present Entertainment 101, 30 years of experience packed into 2 hours helping to get you started in the wild world of entertainment, and in June and December we’ll present Think Fast, using improvisation to enhance your performance. Think Fast is good for actors and non-actors alike and a great way to help build your confidence. Seats are available for just $50!
So to break it down:
  • Monday – All-ages Beginner’s class with Curtis Andersen 6-8pm
  • Tuesday – Beginning Level Acting with Steven Nelson 7-9pm
  • Wednesday – Advanced Technique with Curtis Andersen 7-9pm
  • Thursday – Advanced Technique with Steven Nelson 7-9pm
  • End of March – Entertainment 101 with Curtis Andersen Time TBA
  • End of June – Think Fast: Using Improv to Improve Your Performance Time TBA
  • End of October – Entertainment 101 with Curtis Andersen Time TBA
  • End of December – Think Fast: Using Improv to Improve Your Performance Time TBA
 
It’s going to be an exciting year!
 
We look forward to seeing you!

 
For more info go to STUDIO 105.biz

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Filed under acting, actor stuff, audition technique, blatant plug, career, class, improv, scene study, seminar, shameless self promotion, studio 105

“Don’t Travel Without Your Guns!”

Back when I was a half-assed celebrity I used to travel with a celebrity basketball team to help out charitable organizations. We would travel wherever and play a basketball game against the home team, who which was made up of representatives of whatever charity or organization were were raising money for.

It was a lot of fun and, even though I wasn’t very good, I felt like a star player just because people would cheer for you for the smallest achievements – which included running without falling down. The bar was set pretty low.

All basketball aside, my favorite trip was to St. Louis, MO. I was a last minute addition to the roster so I wasn’t clear as to who or what we were raising money for, I was just happy to be going. The game was fine, raised a bunch of money, but what I remember most are our travels around the city. We saw the riverboat casinos, experienced how all Anheuser-Busch beers were only $1.25 vs the $4.00 and up of any other kind of beer (I grew a taste for Bud Light), and our adventures with our host – whose name I cannot remember.

Sometimes my memory, or lack thereof, can be a real disservice. He was a celebrity tap dancer who danced with his family. He was kind, quiet, but also very charismatic. The night after the game we went out for dinner and then visited his dance studio where he, his family and the members of our crew who could dance all showed their stuff. It was kind of like being live at “So You Think You Can Dance.” 
During the dance party our host’s daughter kept getting frustrated because she didn’t have her tap shoes. Her dad told her, “Don’t travel without your guns!” That idea stuck with me more than almost everything else from that trip. It’s such a simple lesson for creative types. 
When your job is being an artist, or any kind of creative, there are typically special tools that you require. Just like a lumberjack needs an axe or a saw or business people require computer power we need our tools too. And because art can happen at any time it’s always a good idea to be prepared. Thanks to smart phones and constantly updating technology, being an actor/filmmaker is as easy as having my phone in my pocket, writers can write on the fly and music can be created and played in an app. Admittedly this doesn’t work for everyone, but I hope I’ve made my point. 
In a world where being and artist and making a living as a creative is becoming more possible, this lesson is truer now than ever before. Things like Vine and Twitter make sharing to an audience an instantaneous act. The power of the internet can reach audiences world wide. A kid with a guitar can have a viral video on YouTube and make a living – but you have to have your “guns.” 
Since that trip I’ve always kept something with me to take notes. In the 90s it was a PDA, after that it was a Blackberry, and now a combination of iPhone, iPad and Moleskine pocket journals. Even though I don’t create as much as I’d like, there have been plenty of times where an idea has at least been recorded in some way lest it be lost forever to the aether. 
So I put it to you, what are your “guns?” What tools do you use that you should always have handy? Tell me in the comments!
See you next time. 

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Filed under acting, art, artist, business, how-to

Fun Video Friday – Revisiting the Commercial Archives: Hyundai

Seeing all the old episodes of Sabrina has gotten me nostalgic about some of the stuff I used to do in the 90’s. Lot’s of the commercials I did aren’t available on the internet, which stinks because some of them were hysterical (I was killed by a blow dart in a Coke Zero commercial) but one of them has survived!

A buddy of mine works with a high school marching band that performs on TV shows and commercials and they needed a comedy drum major to lead them.

I was that man.

Here are the full minute and thirty seconds version of that commercial:

See you next time!

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Filed under acting, commercials, fun video friday, shameless self promotion, videos, YouTube

Actor 101 – Catching the “Bug”

I had a conversation with a marketing client. He asked me, because I’ve been in the entertainment business for a long time, why his niece, who is struggling to make it as an actor, won’t join him part time in his office. The way he sees it, if the whole “acting” thing doesn’t work out, she’ll have a job that can grow into a decent career.

I didn’t know what to tell him.

He commented that actors seem to really hang on to the idea of being actors even if things don’t seem to be working out.

I didn’t know what to say.

Then he waited for me to respond.

I know that I’m not unique in hearing this. Usually when you hear it it’s coming from a relative or authority figure you are close to. Not usually from someone else’s relative where you have no context on the situation and, as I’ve mentioned before, context is important!

I fumbled and flailed for an answer. Since it was completely off topic I tried to just brush it off, but he was persistent. I implied that it’s very hard to give up on a dream; he countered that she isn’t making a living. I asked what she had been working on, he had no clue. It was a circular conversation headed nowhere. I finally finished by telling him that when you catch the acting bug it can be very difficult to shake and that the more he pushes it, the more she’ll likely push back. That must have been what he needed to hear because he was ready to move on after that.

But I thought about that conversation the rest of the day. I didn’t know why it was so hard to give him an answer. I tried to think about why I stuck with it, but I always feel like I’m a bad test case. I “caught the bug” back in kindergarten and was fortunate enough to have a variety of things all fall in my favor:

  • Supportive parents who didn’t mind making the commitment with me.
  • Moving to Southern California at an early age.
  • Beginning a professional acting career as a child and having success right off the bat.
I credit these three things, things that I had no direct control over whatsoever, to me having any kind of career more than any talent I have or persistence I may show. Not everybody is as fortunate. So I thought about it in a more abstract way. There is a trope, almost an archetype, of the hopeless actor who is always ready for the next audition as they get ready for their waitress job. It is a reality, but I’m talking about the way it’s portrayed in movies and TV shows where there’s an unfettered optimism about how they will make it soon, but it will probably be after they deliver that last coffee to table 22.  There are lots of reasons why people want to become an actor, but I believe that when it shows up in its most honest form the only people who are willing to go for it are optimists or natural gamblers. Or both.
There are, of course, lots of lures to becoming an actor: fame, respect, money, attention from the desired sex; all of these reasons, though, usually lead to burn out pretty quickly when/if there isn’t a relatively quick reward. The people who truly stick with it, who have a hard time doing anything else, they require that optimism/gambler mentality. 
It’s not an easy life to be a performer in the United States. As much as the life is praised and desired in the public eye, in private it gets very little respect. It isn’t seen as a “real’ career and too many times the very people you count on for support are the ones who will tell you that you can’t do it. They’re right to be skeptical, if it were easy then EVERYBODY would do it (and sometimes it feels like they are) but if they don’t support your choice it can be very hard to stick to it the way you need to to make it. That last reason alone is why so many working actors in the U.S. are also self-starters and entrepreneurs. It takes a lot of drive to actually make it and “making it’ at even the smallest level can take years. 
But there’s a flip side to that coin: not everyone who really wants it, no matter how much, are going to make it. Some people, most people, will not work enough to support themselves. That is a fact backed up by actual numbers and here are three articles that I found just doing a very basic Google search:
Like I said, the people close to you have a reason to be skeptical, but here’s the thing – it’s worth the shot.
Dreams are dreams for a reason, they are the things we want most that we know are hard to get. A dream career is something that at least has a shot of coming true provided you are willing to do the work. Yes, the numbers are against you, but if you’re an optimist/gambler then that doesn’t matter. Liker Han Solo said, “Never tell me the odds!” If you are an entrepreneur then now is the best time to try your hand at an entertainment career because all the old models are dying and everyone – big studios, small studios and anything that shows video content – is looking for the new way to monetize the work. It’s going to happen, but it’s still very much in the air as to who is going to show the rest of us the way.
So I guess, if he were to ask me again, I still wouldn’t have a great answer to his question but I do understand where she’s coming from and I’m right there with her.
See you next time.

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Filed under acting, actor 101, actor stuff, career, jobs

Gordie on Hulu and Amazon Prime!

Thanks to the glory of the internet you can now revisit the world of Sabrina: The Teenage Witch on Hulu and Amazon Prime!

See the birth of Gordie, from stereotypical geek to mildly hipper geek!

See performances from the Violent Femmes and Phantom Planet!

See a boy possessed by a warlock who is supposed to be trapped in the form of a cat!

The Hulu cast is available to all and if you are interested in checking out Amazon Prime follow the link below for a free 30-day trial!

Also, I’ll be posting links to the episodes and revealing fun facts about them on my fan page, so go like it if you haven’t already.

Do you have a favorite version of Gordie 90’s hair? I’m partial to Trial By Fury and Salem the Boy, but what do you think?

See you next time!

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Filed under acting, blatant plug, Gordie, sabrina, shameless self promotion, television, TV, videos

Acting 101 – All the Articles, One Place

Actors!

The Acting 101 entries have been some of the most popular and quickest viewed on this site. I’m very happy that they are getting the attention that they are and, after I get a few more of these written, they may eventually get their own separate page.

In the mean time here are links to the three existing Actor 101 entries:

 
 

As usual, if you have any questions feel free to ask in the comments.

See you next time!

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Filed under acting, actor stuff, casting, education