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Project: Iron Man Issue 23 or Check out the threads on this guy!

Janice Cord is dead!

Dead, dead – not coming back (but don’t hold me to that). And Shellhead goes straight into avenging mode and sinks the ship that brought the Titanium Man into the country.

Straight up sinks it. Sure he says, “The Coast guard will pick them up.” But when you see what damage is done to the ship I think you’ll agree that not everyone made it out unscathed.

But after he visits Janice’s grave this comic makes a hard left into Silver Age storytelling land. I’ve been wavering on my opinions of this issue. It’s one of the issues that I have no memory of ever reading before. When I was originally collecting my Iron Man comics I didn’t get them in order so I didn’t read them in order – except for the issues that were current at the time. From issue 200 on I was solid on continuity. Even the late hundreds before 200 are squared up pretty good in my head, but these early, early books with very short, sometimes only single issue, story arcs just got lost. Before I’d buy what I could find, read it, and bag & board it. I rarely went back to read the early ones – I didn’t want to damage them. To a certain extent that behavior paid off. These books, which are nearly fifty years old(!), look great, aren’t brittle and look like they could stick around for another fifty years. It also means that, with a mature, adult brain I’m reading some of these stories for, essentially, the first time.

With all of this in mind let me introduce you to THE MERCENARY!

It’s ok, get the laughter out now. That outfit isn’t going anywhere.

Early in a superhero’s run lots of shots are taken at creating his rouges gallery. Most of the bad guys a superhero faces in modern comics were actually created decades early in the hero’s career, with a few notable exceptions who aren’t worth mentioning now. But not every villain created in the Silver Age is worth keeping and The Mercenary definitely counts as one of them that can afford to be forgotten.

Outfit aside, he’s a hired killer who has a lot of gadgets and training.

A LOT of gadgets.

 

 

 

 

And check out how well he lounges in a chair:

Gadgets that are just a shade too convenient and applicable to the situation. It’s like the creative team read a Batman comic of the day and decided this bad guy should have a utility belt too.

Plot wise, this issue does a lot to close some loopholes.

  • Janice Cord is confirmed dead.
  • The pirates who brought the Titanium Man to the U.S. are dealt with.
  • And the Vincent Sandhurst (brother to Basil “The Controller” Sandhurst and former attorney to Cord Industries) storyline is completed with his death.
All of this made possible by a damsel in distress – the wife of one of the pirates. Really, that’s not important, but this splash panel is:
It’s the one time The Mercenary looks cool.
When all is said and done the girl is saved, the bad guys are both dead (which doesn’t bode well for The Mercenary coming back – but that’s probably for the best),
and Iron Man walks off with her into the sunset.
Next time Iron Man fights a Minotaur.
Seriously. This is what was happening in Silver Age Marvel comics.
See you next time!

 

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Blatant Iron Man Plug: Iron Man 3 Trailer

I.

Can’t.

Wait!

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Project: Iron Man – Iron Man Issue 20

I won’t spend a lot of time talking about about how long it’s been between posts, we’ve all noticed and I’m not proud of it. So I’m just going to go right into this…

Invincible Iron Man #20 is a stand alone issue that follows the very dramatic events of the “Death of Tony Stark” arc, when he received his heart surgery that made it so that he was no longer dependent on wearing his armor’s chest plate.

It was actually nice to take some time off and come back to reading this issue, I was able to see it through fresh eyes. One of the things that made Marvel Comics so popular in the 60’s was that the stories were more about real problems and real social issues. They treated their super-heroes like regular people with regular people problems. This is one of those issues where the regular person is actually the star of the issue. Iron Man is in the issue, but it actually focuses on a disgruntled security guard and his frustrations as he reaches a mid-life crisis. I watched Twilight Zone episodes today as I was reading this issue and I noticed that the storytelling in the book was very similar to what I saw in the Twilight Zone episodes, highly dramatic and with grave stakes.

Things start out appropriately bombastic – with a literal bomb!

This is all well and good but it’s the security guard, Charlie, who’s really stewing in this issue.

See, he misses his glory days and resents his family; and the fact that Iron Man gets so much attention just drives him nuts! I have been very fortunate in that I have always had a good support system around me and I had a pretty good career from a young age…
…but now that I’m getting older I’m starting to understand where he’s coming from. Now I’m far from being the angry wretch that Charlie is, but things aren’t as easy to accomplish as they used to be. Some of the hurdles come from financial things beyond my control (thanks economic meltdown!) but some things I definitely could have made better choices about. As the years keep piling on, I have started to feel like instead of “the future being laid out before me” there’s more of a “the future is NOW!” feeling where I have far less room to make mistakes and need to do whatever it is I’m going to do before I get too old to do it. As far as it relates to Charlie, there but for the grace of God go I. It’s easy to get bitter when it feels like your life and your dreams are passing you by. Hell, I’m essentially “living the dream” but it can still feel like things are getting away from me!

So Charlie takes a stroll and his bitterness and rage attracts the attention of X-Men villain Lucifer!

Lucifer has all kinds of powers, but he’s been trapped in a prison dimension and wants Charlie’s help to escape. Naturally Tony Stark has the device Lucifer needs, so he finds someone bitter at the Stark company and Iron Man to do his bidding. Through the magic of comic book science Charlie is granted the power of Lucifer:

And immediately starts flaunting his power and beating people up, even (unintentionally) his wife who is concerned about him and looking for him.

Naturally Iron Man comes to the rescue, but it’s actually Charlie’s wife who saves the day. She reminds Charlie of all the good things in his life, like his family and their marriage, and reminds him that he doesn’t need “false glory” and if he does he isn’t the man she married. Seriously, she lets him have it. Check out the panel where she’s wagging her finger and crying.

So Charlie gives up the power, Lucifer is defeated and they all live happily ever after. Once Charlie realizes that the grass isn’t always greener and leaves with his wife even Iron Man can’t help but be effected. In the last panel he starts to wonder if he should still be Iron Man with his heart repaired.

Seeing at how there are at least 500 issues to go I’m pretty sure you can tell what he decides, but check out the next issue!

See you next time!

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Project Iron Man: Iron Man Issues 17, 18 & 19 –

Sorry for the long delay. As many of you know I was away in Oregon training for a new job and it was difficult to blog while I was gone. But now I’m back and it’s time to get back into the world of Iron Man!

This three issue arc shows the strength of Tony Stark, that it’s not just the armor but the man inside of it that makes Iron Man…

…and it also introduces the Madam Masque that we all know and love and the villain Midas (and possibly Tony’s cousin Morgan Stark, but I’m not sure that this is his first appearance).

Frankly, this story has quite a few twists going for it:

  • The LMD (Life Model Decoy) that Stark used to trick the Mandarin a few issues ago gains sentience and takes over Tony’s life (a storyline that is re-used in the late 90’s, early 2000’s).
  • Since everyone thinks the real Tony Stark is a fake he is kidnapped by Madam Masque to impersonate himself for Midas – confusing, I know, but hang in there.
  • Tony plays along with Masque and Midas so that he can gain access to his company again and defeat the LMD.
  • It works, Tony and Madam Masque fall in love, and Midas is defeated.
  • Oh, and while we’re at it all of Tony’s friends turn on him, including the Avengers, and he dies, kinda’.
This is a motif that will be played and replayed in the issues of Iron Man over and over again whether it’s business rivals or inventions gone evil, someone is always gunning for Tony’s company and/or inventions. Sometimes they win, but only for a while until Stark can re-group and overcome.
But the story isn’t what I want to focus on with these issues. See I remember a Christmas many years ago when my parents got me almost all of the back issues I was missing. It was boxes and boxes filled with bagged newsprint and I remember specifically that they used a large clothes basket to hold a majority of them. It was the package under the tree that had me completely stumped and when I tore it open it was like looking in Marselleus Wallace’s brief case.

It’s memories like that that make it very difficult to seriously consider selling the collection. Even just revisiting these first couple dozen issues brings me back to all of the good memories that go along with the years I spent building the collection up. It wasn’t just me, it was my Mom and Dad and relatives. Something really simple that that made powerful emotional memories. I don’t want to put too fine a point on it or make it seem like it was an overwhelming experience – it was, and still is, a very simple pleasure. It’s just nice to feel sentimental about it.

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Project: Iron Man – Iron Man #15 & #16 or Unicorn’s Back & He’s Got A Red Ghost

This is it.

This is the two issue stretch that gave me nuthin’.

I found nothing inspirational about these two issues nor do I have any strong memories attached to them.

I was so unmotivated that I looked at issue #17 just to see if I could tie it in with these two and fill out this blog post more, but that’s not going to work out.

It’s not that they are bad issues, they just aren’t special issues.

Plot summary:

  • Unicorn didn’t die in issue #4, his boot jets saved him.
  • Red Ghost is using Unicorn to steal the Cosmic Ray device from tony Stark so he can get his own powers back.
  • Unicorn steals the device.
  • Red Ghost uses it and betrays Unicorn.
  • Unicorn and Iron Man team-up to beat Red Ghost.
  • Red Ghost’s Super Apes actually save the day.
I thought I could write about how the hero and the villain must overcome their differences to succeed, but they don’t actually overcome much of anything.
I thought I could write about the relationship between man and animals, but that plot point kinda’ gets thrown in at the end without a lot of build up and Red Ghost uses apes again later so no lessons really carry on past this issue in regards to that.

Instead we get Stark flying in a funny looking ship instead of an airplane.

 

I really hope this isn’t the start of a trend.
Next Time:

 

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Project: Iron Man – Iron Man #14 Is The Industrialist the Environmentalist or is it Voodoo?

Is it environmentalism if you only want to save the environment for personal gain?

Is it spoiling the environment if you help develop the economy of a country?

Is Voodoo responsible for all of it?

These are the questions raised in Iron Man #14, but only the third is answered – place your bets now about how that turns out.

The beginning of this issue feels like a throw-back to the monster comics that Marvel and other comic book companies used to make where the monster was the star and everything is explained in narration. Here’s the first couple pages:

Now here’s an example of another Marvel horror book:

Similar, right? This book was released in 1969, many years after the height of Marvel’s horror books, but I like to think writer Archie Goodwin was nostalgic for the old days.

This is a fill-in issue between two story arcs, also called a one-and-done story, and for all the cover space the bad guy gets and how he graces the open page you’d think we’d see this guy again… but we never do.
EDIT: That’s not true! Turns out we do see him later in the mid-40’s! It’s a statement on how memorable the character is that I completely forgot about that. By the time we get to the mid 40’s you’ll probably forget as well.

Stark is visiting his facility on a small Caribbean island (no name is given) because it has been blown up by the rumored voodoo monster the Night Phantom! By no small chance it coincides with Janice Cord also being on the small unnamed island visiting a friend of her late father.  There is an author named Travis Hoyt who has made his home on the island and he’s very upset at Stark because, “[Starks’] projects and ‘progress’ are destroying [the island’s] natural beauty and primitive charm!”

It is also an important plot point to know that Hoyt was injured in a plane crash and is confined to a wheel chair. So Tony and the police inspector go out to the work site to investigate the accident. It’s bad and Tony’s Geiger counter in his watch goes off  – the site is radioactive! Suddenly it doesn’t look like the voodoo monster is powered as much by voodoo as it is lethal radioactivity. Also, Hoyt is watching them with his telescope and apparently has really good hearing. As the inspector and Stark are getting ready to leave the voodoo drums start and they are attacked by the Night Phantom!

Stark wakes up to Janice. She brought him back to her father’s friend’s home – none other than Travis Hoyt! They argue and Tony leaves to find the inspector.

Oh and to put on the Iron Man armor. The Vario beam (that circle on his chest) can pick up the residual radioactivity so he uses that to find the Night Phantom and hopefully the inspector as well! Back at Hoyt’s house things get a little “rape-y”…

Hoyt’s not really crippled. He has a radioactive pool under his house that healed him and made him very strong, but it also scarred him horribly so he dresses up in the Night Phantom gear.

Quick real world note here, for what it’s worth. I bring it up because it just happened in a recent issue of Iron Man as well (#516) where the bad guy takes off his human disguise to reveal the super-villain mask underneath.

So I’m supposed to believe that you walk around all day with two masks on? All day every day? And no one notices? Every time you OPEN YOUR MOUTH there should be a problem since your other mask would be exposed!!! Hell, Spy Master there in #516 was in a romantic relationship! There was kissing and eating and stuff, how’d that work? My rational brain knows that this is a pointless rant, but I had to get it off my chest. Now I did. I feel better. Thank you.

So Iron Man follows the radioactivity to the cave where everyone else has ended up. Turns out the voodoo drums are on P.A. speakers – very loud P.A. speakers.

Hoyt wants to dip Janice in the pool so she can be with him, but Iron Man takes exception to that and wails on him right before reaching to pull Janice back up from the pool.

Then Hoyt jumps in the pool to power up but, low and behold, all the construction by Stark has made small cracks in the base of the pool (hence why Hoyt was all angry at him in the first place) and the voodoo drum noise from the speakers made the damage worse so Hoyt is sucked away into the Earth… and Tony and Janice jet off to have more adventures in Captain Marvel #14.

Let’s get down to the biscuits.

The thing in this story that stuck out the most to me, especially in our polarized political times, is that our bad guy, Travis Hoyt, seems to be an environmentalist – even if it’s for selfish reasons and he’s kind of elitist about the whole thing – and Tony and the inspector stand for developing industry – although to be fair it is mentioned that it is benefiting the people of the small unnamed island. There’s even a heavy handed mention that the security guard who was attacked at the very beginning of the issue was just a kid working his way through school.

I got a good dose of “industry as job creators” when reading this and found it unsettling that a political issue that is so prominent today existed in some form enough to make it into a comic book back in the late 60’s. To be fair, and not to try and make too big a deal out of this, Stark factories, as you’ll see in coming issues, are know for how environmentally sound they are and, really, Hoyt was a douche-nozzle, but industry versus environment is a long standing dichotomy none the less.

If only all “job creators” were as responsible and well intention-ed as a fictional Tony Stark.

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Project: Iron Man – Iron Man 12 & 13 Brain Power vs. Brain Power

Tony Stark is one of the smartest characters in the Marvel Universe. He was a child genius who went to MIT when he was a teenager and inherited a major corporation at the age of 21 complete with major government contracts that did not go away once he was in charge. He has built super weapons, discovered and put into use new sources of energy and, of course, designed the Iron Man armor that he is famous for.

Tony Stark is a smart guy.

I imagine when Archie Goodwin wrote the two-part story “The Coming of the Controller” he may have thought, “Someone with that much brain power clearly needs to battle a villain of equal brain power!” That would make sense, Reed Richards is always best when he battles Doctor Doom, The Doctor when he battles The Master, but there’s a twist…

OK, let’s back track just a little. Remember Janice Cord’s lawyer and how I thought he might be related to the Controller back in THIS POST? Well he totally is and this story-line wraps that all up. Also, we get to see Jasper Sitwell looking for Whitney Frost’s after the hovercraft she escaped in crashed – which happened off-screen I guess cuz I just looked back and she seemed to get away scott free. I even have the page in THAT SAME POST.

Also we spend some more pages making sure that the secret identity that we spent two issues trying to protect stays protected. Seriously, why? Go HERE for more on secret identities and here’s the three pages that finally wrap the identity drama. Pay special attention to how he lays the ground work for never being able to do this again. Don’t worry, in about a decade LMDs become so common it’s a wonder anyone in the Marvel Universe isn’t just a robot.

So let’s get back to the Controller! Here’s the Controller’s Wikipedia page for the full breakdown of his super-villain career, but the origin is right here in this book. Basil Sandhurst not only is a mad scientist of the highest caliber but he also has some rage issues. And his lawyer brother is a bit of a prick too. So when a lack of ethics gets Basil fired from every job he’s ever had (he has been working on how to harness the power of the human brain) his brother gets him a job at Drexel Cord’s factory. Problem is Basil is not happy about having to do the work of simpletons – so he loses his shit.Vincent tries to get him under control, but that goes poorly too and things explode and Vincent, being a caring brother, leaves Basil for dead.

But he’s not dead, see, so out of guilt Vincent builds Basil a super modern home and lab with robotic arms and stuff so Basil can continue his experiments, but those experiments are how to use the human brain to power an exoskeleton that gives Basil not only his mobility back but the combined strength of any people under his control!

See that’s the twist – Tony Stark has brain power, but Controller has “brain power,” or more to the point a brain powered exoskeleton.

So Controller enslaves the town, kidnaps Janice since her dad humiliated him and naturally Iron Man isn’t happy about this so they fight until Shellhead gets taken down and they are taken to the Mental-Wave Absorbatron!

Silly name aside, this device is the is a weird metaphor for the strength of the mind. I know sometimes I sound snarky when I do the plot re-caps, but there really is quite a bit of thought that went into these stories that were intended for children. The Controller ends up being a frightening villain mostly because he can enslave, and in doing so steal the strength from, anyone. And the more people he enslaves with his control disks the more powerful he gets. Iron Man is all about using power to do good for people and the Controller is all about using people as power. Kind of a screwed up super-villain version of democracy, but instead of power to the people it’s power from the people. When we get into the modern era of Iron Man there’s an issue where Maria Hill has to face the Controller and it was actually a bit frightening, but we have a bit before that.

So the Controller gets them back to his place and starts adding them to the mental-wave absorbatron…

…but Iron Man was faking! Fight is on!

Iron Man has roller skates (these come back is surprising regularity)!

Iron Man loses!

Controller steals a train and loads the mental-wave absorbatron on it (I should have probably mentioned that   he needs to be in range of it to maintain his powers)!

S.H.I.E.L.D. has an ESP unit!

I bring up the ESP unit for two reasons:

  1. It’s on theme. ESP, extrasensory perception, was very popular in the 60’s and dealt with the human brain having powers beyond what was understood. In a time when minds were being expanded with the use of mind altering drugs and human potential was being tested it made sense to think that maybe there was power there to be unlocked. In the Marvel Universe they did and it became a thing that S.H.I.E.L.D. used. Now S.H.I.E.L.D. uses telepaths, but that’s not really important right now. Also, when dealing with the genius brain power of Tony Stark and the brain powered exoskeleton of the Controller it’s kind of a brain trifecta to have the ESP unit show up. Go human brain!
  2. Janice Cord is going to come down with ESP pretty soon.
In the end Iron Man wins by separating the mental-wave absorbatron car from the rest of the train. The Controller, weak without the power of his slaves, gets knocked out and there ya’ go. And Stark gets all emo on Janice.
I really enjoyed the (probably) unintentional metaphor about the power of the human mind in this set of issues. I remember when I was a kid thinking that the Controller was kinda’ lame because I saw him first in a re-print of a Captain Marvel comic where he was working with Thanos and I thought they were brothers because they looked similar to me. I appreciate him now a lot more. We’ll be seeing more of Mr. Sandhurst soon, but first…
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Project: Iron Man – Iron Man #10 & Iron Man #11

Secret Identities.

The superhero trope of superhero tropes.

Clark Kent and Superman

Bruce Wayne and Batman

Peter Parker and Spider-Man

We are all very familiar with the idea that superheroes disguise their real identities to either have or protect their personal lives.

There are very few exceptions to this, the most prominent that I can think of being Reed Richards of the Fantastic Four. Sure he has the superhero name, Mr. Fantastic, but he and the whole Fantastic four are publicly known, celebrities even.

In current Marvel continuity and the Marvel movies Tony Stark is known to be Iron Man, but back in the 60’s (hell, well into the new millennium) Tony Stark maintained his secret identity where Iron Man was employed as Stark’s body guard, the reasons for which will be deliberated complained about later. The stories of Iron Man 10 and 11 focus on how Stark deals with the fact that The Mandarin has discovered his secret identity.

The short answer: he tricks Mandy into thinking that Stark and Iron Man really are two different people with the clever use of masks and a Life Model Decoy. In other words, it’s not really dealt with at all, it’s just needless manipulation all the while Stark factories are sitting idle and the whole country is busy thinking Stark is a pinko commie.

Fantastic plan, Stark.

Of course, because this is a comic book, Stark’s plan to save his identity works out perfectly:

  • Mandarin is convinced that he’s not Iron Man.
  • The LMD distracts the press and, during Shellhead’s battle with Mandy, they hear how Mandarin planned the whole thing and faked the pictures that started the whole mess in the first place.
  • Oh and the Mandarin’s betrothed totally turns on him because he doesn’t believe in love… but that’s not really related to secret identities.
  • Oh and we found out why he made a Hulk robot in issue 9 – turns out Hulk destroyed his castle in China and Mandy wanted to tarnish Hulk’s name… which is a bit redundant for Hulk but there you go.
  • Mandarin seemingly blows up at the end, but even Iron Man says he’ll be back, eliminating the drama of that moment.

 

But all issue specific plot points aside, the risk of people discovering secret identities for comic book heroes is a go-to story to write. There’s always going to be a story like this one where someone who shouldn’t know the secret learns it and  tries to use it to their advantage. There’s the opposite story where the hero reveals their identity to show how much they trust someone. In all the stories where there’s a secret identity time always has to be taken to show how they keep that secret when they change into the requisite super-suit, i.e. the proverbial “phone booth” or janitorial closet. If this were real life how many lives would be at risk while Spider-Man finds a suitable alley way to change his clothes?
That’s why I don’t understand the reason for Tony Stark to even have a secret identity. When I was a kid I never questioned it – superheroes had secret identities and that’s how it worked – but reading these stories now, older and having Stark be secret identity-less for over a decade, it feels contrived.
I get it for Spider-Man, he’s got an old aunt and the public is not always on his side. I get it for Batman, he is a violent vigilante, it’s important that Gotham’s finest don’t show up on Bruce Wayne’s door. I get it for Superman – he’s a freaking alien who’s so powerful if his identity was revealed he’d never have a moment to himself! But Tony stark is a public figure, like Reed Richards, he’s a playboy anyway who enjoys attention and his business, especially in the 60’s, is weapon design. A lot of the things that exist for Stark just because of his civilian life eliminate the need for a secret identity.
Taking a look at typical reasons to have a secret identity, let’s see how Stark’s life already handles the problems:
  • Protecting people he loves – Tony Stark is a public figure, a target for foreign enemy nations, so his loved ones are already targets. Publicly being Iron Man might actually help in this case.
  • Protecting his privacy/private life – Again, public figure so there is no privacy. If anything he’s under a microscope so really shouldn’t the question be how bad are the journalists in the Marvel Universe that they couldn’t figure out his identity? Also, he owns a major business so there are existing security measures in place to protect him and his factories.
  • The legality of actually being a superhero – This one’s tricky, but the fact that Stark helped to create SHIELD and equips them and is, like, totes BFF with Nick Fury gives his a pass on this in my opinion.
  • Being able to hold down a job – Again, he owns it. It’s hard to get fired from your own company (even though that totally happens but not for a while…).
Clearly modern writers and I are on the same page since he hasn’t had a secret identity for a very long time, but it makes me wonder why it was so important for about forty years? There were times when it was defended for story purposes, but for the writers in the 60’s through the 90’s why was that identity so important? There had to be a reason because it was no problem writing it away when they did. Maybe it was cultural, a sign of the times? I don’t have the answer, at least not today, but I want to revisit this concept later, hopefully be able to cite more examples from issues.
Next Time:

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AVENGERS!!!!

Taking a small break from Project: Iron Man today to encourage you to go see Marvel’s The Avengers!

It’s so good!

I could go into deep discussion about it, describe my favorite parts, spoil the crap out of things that shouldn’t be spoiled but they’re so cool that you can’t help but talk about them – but I won’t!

If you are an Avengers fan at all you will crap your pants at the awesomeness contained in this film!

My wife, not a comic book person at all, had a really great time!

Go! See it! There’s a reason it’s making all this money!

Here’s a trailer:

*Avengers Logo by GrandeMike

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Project: Iron Man – Iron Man #9

The idea of a man in a skin tight suit of highly flexible metal armor is fantastic enough. Add to the mix mad scientists, wild temporary mutations, big business deals and secret identities and you are asking for an awful lot of suspension of disbelief…

…then you enter comic book crazy town and suddenly you’re walking down the pier of acceptability right toward the waters of who gives a fuck.

This issue is the event horizon and a robot Hulk is our delivery device, but we’ll get to that in a second.

First let’s talk about a very fundamental superhero comic idea: continuity.

Continuity is the threat of story that is carried from each issue of a comic book series to the next providing a history that readers can latch onto to be the common ground that different writers share when they add to the mythology. It is the thing that says Tony Stark was injured in a war zone and had to build the armor. It is what says that Krypton blew up and Superman was sent to Earth by his parents. It is what says that Abin Sur crashed on Earth and gave Hal Jordan the Green Lantern power ring. Continuity can change. When it is done in a specific book it is called a retcon, or retroactive continuity, and if it is done across the entire line of comic books it is call a reboot (see DC’s New 52). Continuity has fueled nerd rage for as long as there have been fictionalized stories. Seriously, when there were cave paintings there was a caveman who was pissed that the gazelle escaped the hunter. Pre-internet flame wars were actually conducted with flaming sticks!

Actually, don’t quote me on that. I just made it up about the caveman. I’m pretty sure it’s true but… yeah…

Anyway.

We’re actually a long way off from both a retcon and a reboot in regard to Iron Man (but, oh man, are they coming) so we can talk about the other form of continuity, one that everyone should be familiar with, where things that are established to be should remain the same until they are shown to change. HERE’S a dictionary definition.

Marvel cared enough about continuity discrepancies that they used to offer something called a No Prize If you pointed them out! As time went on (and people got greedy) they also required that you include a possible justification with your answer, adding fan-fiction pseudo-science to the mix. The rules have evolved as times have changed, but if you could get a No Prize for pointing out errors in back issues, I’d have a shot today for sure!

Rain, late night deliveries and a dude in a hood – it’s like a noir story and it sets you up to be pulpy and exciting, but what we get instead is a karate chop, a fake statue and…

The Hulk.

By now in Marvel Universe continuity Iron Man and The Hulk have encountered each other quite a few times, including starting the Avengers and then later fighting each other because of one misunderstanding or another. Now our mysterious hooded figure has managed to bend The Hulk to his will and bad things are about to happen.

Now for my chance at a retroactive No Prize, check out this page specifically the panels with Vincent Sandhurst on the phone:

See that huge diamond ring on his finger? It’s like they’re calling attention to it, right? Like it might even be a story point? Then in the bottom left panel it’s totally gone!

Oh, and it’s pretty clear now that Sandhurst has ulterior motives in selling Cord Industries to Stark – but we won’t know this issue.

The Hulk bursts in on the sales meeting and kidnaps Janice Cord, our resident damsel in distress, and then there’re pages of fight. Here’s a couple of them:

See all that swirling cloud there? That’s definitely a fight!

So, naturally, it turns out that it’s not really The Hulk it’s a Hulk robot! Oh and the hooded figure is the Mandarin.

So let’s take a look at a few things here:

  1. So The Mandarin says at the end that this whole ruse was to see what would happen when people Tony Stark cares about are put in harms way and to confirm his suspicion that Tony Stark and Iron Man are the same person. However:
    1. Why make a robot Hulk? The two heroes have a public history in this universe, one where they worked together and formed a premier super team. Why not use a different super villain or, better yet, make the robot just a random monster? (Real world answer: Hulk sells comic books, but he’s not allowed to actually be a bad guy so put him in the book and make him a robot in the end – Sales Win!)
    2. Why Janice Cord? Yes she is a woman, and by 60’s standards that’s all you need, but she and Tony haven’t even dated yet, like, ever. So why target her?
  2. Why is The Mandarin in a hood? He’s hiding from his own people? And then when he pulls off the hood he’s got a mask on too?!?!?!? Fashion faux pas! (Real world answer: so the reader doesn’t know that it’s him. But, seriously, all the Chinese iconography and the purple and green outfit, who else is it going to be?)
  3. Remember this cover!!!! There are a few times when old covers, like this one, will be re-used in the series for totally different stories!
We’ll explore continuity more in later issues, but for now get ready for more Mandarin action!
Next Time:

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