Category Archives: fanboy

Rose City Comic Con 2018

Last weekend I went on assignment to Rose City Comic Con for Panda Mony Toys. We are releasing our first action figure line next year and we are looking for cool shows to visit. Rose City was pretty great! Here’s a video of my adventures:

If you like t-shirts, hoodies and coffee mugs I suggest you check out our merch in our SHOP.

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Am I Still A Geek?

When I created this image I really thought this blog was going to go another way.

In the past I would have no problem identifying with this statement:

I am a geek.

I don’t think that this is any kind of real surprise to anyone who reads this blog or knows me, but it’s not something that I bring up that often for public consumption.  Working in toys has really activated my geekery gene and since that is what I’ve been spending so much time on turning it into content for the internet seemed like the next natural choice. But as I’ve gotten back into my geekier pursuits I’ve noticed that I’m not feeling particularly connected to “geek” as a community – and I don’t know how I feel about that.

Why do we care?

In all likelihood you probably don’t, but it’s very possible that we are about to see a change to geek culture and since geek culture has been mainstreamed any changes that come are likely going to affect the entertainment industry in a massive way. I think my identity crisis is just a symptom of something bigger… maybe.

Being a geek is nothing new and we are somehow still in a geek culture golden age. If you were to tell me twenty-five years ago that some of the most popular things on YouTube, videos that were getting MILLIONS of views, were of people playing Dungeons and Dragons and other role playing games I’d laugh until I passed out. Put on top of that the fact that the Marvel Cinematic Universe is one of the most popular, profitable and unstoppable franchise factories making household names out of characters that no one knew of merely a decade ago? And the fact that Star Wars as a universe is still chugging along in mainstream media? And that I can find Iron Man action figures in just about every single armor that he has ever worn both on screen and in the comics? I tell you my little teenage heart would burst.

But it was not always this way.

I like to frame myself as a “proud geek,” but if I’m being honest that hasn’t always been true. Even in times as geek popular as now I tend to hold that part back from the spotlight. In the past I have justified this hiding because of my “brand.” On this blog and on social media I preferred to be an actor first, focus on career related things… and every once in a while toss in an obscure movie reference, mention that I need to go play D&D, or talk about Iron Man. But that was not very authentic in how much of my private identity can be tied back to what are considered geeky (sometimes VERY geeky) things.

Although some of the geeky things have gained a hip status, the fact of the matter is that all the cool popular people playing or involved in this stuff  are a very small, niche part of the people who play and participate in the core of geekery. The core audience still carries the stigma that was turned into stereotypes used in TV and movies, especially in the late 70’s through the 90’s. Hell, that was my bread and butter for most of my young acting career.

That’s me, in the broken glasses, as Kirby the Nerd.

You can see it in the faces of cosplayers, Magic the Gathering players, wargamers and hard core D&D enthusists; there is an underlying fear anytime they are around people outside of their community that they will be made fun of. And I totally get that, I have also had that fear.

I think that Simon Pegg has presented the best definition of the modern geek:

As he points out, this doesn’t just apply to things like superhero fans and Warhammer 40,000 players but sports fanatics and people who love cars too. But the stigma doesn’t follow the latter the way it does the former. Jocks and nerds may be satisfying the same itch deep down, but society in general views them in very different ways and always at odds.

I was at Rose City Comic Con this year. It’s the first con that I’ve been to since San Diego ComiCon back in either 2012 or 2014 (I can’t remember) and even longer than that since I went to a convention of any size that wasn’t related to the entertainment industry in some way shape or form. This year felt different than what I remember.

Some of my favorite childhood memories are of my dad and I going to comic cons all over Southern California (mostly the Shrine Shows in L.A.) looking for old Iron Man back issues, checking out old toys and collectables, and doing our best to bargain down a price with the dealers. At these shows I built a very impressive collection of Yoda memorabilia, got my first Iron Man action figure from the defunct Secret Wars line, and completed a volume 1 collection of Iron Man comics. 

I would spend my days reading comics and coming up with adventures for all my favorite characters in my head. The reading material came in handy for auditions as well since I was merely a passengers for nearly a decade. I was proud to know as much about the Marvel Universe as I did. I knew Doctor Who lore and stories that would surprise adult fans. I knew Star Wars down to the Tonnika sisters. But I had very few people that I could share all this with.

Junior High School, the worst of all the “schools” in my opinion, was when I met my core group of friends, people I still know and love to this day. Jeff Garvin was my entry point to the group. He and I met doing Annie with a community theater group (another thing that is generally considered pretty geeky, but that’s another blog post altogether). We shared mutual interests, Star Wars and comic books in a general sense, and he introduced me to his Dungeons and Dragons group. Jeff, Dan and Scott became my best friends through school. 

In addition to D&D we shared other common interests in movies and music. Star Wars and Indiana Jones were big favorites and we spent way too much playing the original X-Wing and TIE Fighter computer games. We tried some other RPGs and Dan, Scott and I all started playing Warhammer 40k. We had each other’s backs. We were our own little community and we could run in the circles of other geek communities without effort.

At Rose City Comic Con I was the outsider. Even though I’m an over 40-bearded-beer-gut-guy (a description that has come to be the standard archetype for the stereotypical geek) I saw the distrustful looks that came from the cosplayers and gamers and comic book fans. I imagine I must’ve looked like a dad who was missing his kid, especially since I was there by myself. There was a part of me that wanted to say, “Don’t worry I’m totally one of you.” But even writing that seems condescending and pointless, especially since geekdom and fandom are plagued by toxic jerks right now. I can’t find fault with the suspicious looks. If you didn’t know any better I could be one of those entitled, angry and anonymous man-children screaming about The Last Jedi. Toxic Fandom is the culmination of people who felt powerless finding a voice and, in most circumstances, trying to claim ownership on a fictional world that should be open to everyone. When that kind of “fandom” finds other people who feel the same we get things like what we saw with recent Star Wars stars leaving social media.

But that’s not what I want to see. Sure there will always be jerks, but in general the community is at its best when it is supportive of each other and when people who want to learn about and participate in the geekery are welcomed. Even though I got a lot of side-eye yesterday, the folks at the convention we all very polite and super excited about what they were doing there. That’s the part I like. That’s what I’d like to see more of.

To that point I’m going to start talking about my geekier pursuits here on the blog more. I may not feel like I’m directly linked into the community like I used to be, but I still D&D like a boss, build and paint 40k armies competently, and can still throw down in Supernatural continuity conversations with the best of them. The old saying goes “be the change you’d like to see” and I’d like to help put some positivity back into the geeky stuff that I love.

Please join me! Tell me about the geeky stuff you love in the comments. Introduce me to that thing you like that maybe you’re self conscious about. Let’s build a better community without entitlement and toxicity.

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The Gunslinger – I read it

This is NOT about the movie. I did not see the movie. I don’t think I’ll see the movie unless it’s free on a plane. That’s how I saw Batman vs. Superman and I still wanted my money back (Good gravy, that movie was terrible!).

No, today I finally posted my response to the “Should I Read The Dark Tower?” video I posted back in June. As a refresher, here’s the video:

And here is the response:

Want to check it out for yourself, or maybe this would be the perfect gift for the reader in your life? I’ve got links to the books down below and a link to the amazon Prime trial for that sweet free 2-day shipping!

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NEW! AVENGERS! TRAILER!

Age of Ultron Logo

HOLY CRAP THIS LOOKS GOOD!!!!!

I’m so excited for this movie!

See you next time.

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March 4, 2015 · 10:49 am

Project: Iron Man – Iron Man #27 “The Fury of Firebrand!”

PROJECT IROM MAN logo

This is an issue where it isn’t so remarkable how much I remember, but in how much I didn’t understand and what went over my head. The heyday of my Iron Man collecting, and therefore Iron Man reading, was ages 8-12. Ideas like Communism and The Civil Rights Movement existed as unrelatable ideas that were taught to us in history class. It was the mid to late 80’s. Yes The Cold War was still going strong, but it had been 20 years since the Cuban Missile Crisis and neither country was eager to repeat that mistake again. Martin Luther King, Jr. was an acknowledged hero of the Civil Rights movement, we got the day off from school and I had not yet witnessed anything close to real racism in my life. So when I read comic books from the 60’s and early 70’s the ideas in them were like ancient history. They were written for their time and thank God we weren’t like that anymore. Reading them now, however, opened my eyes to just how much issues like this one covered.

IM 27 Cover

 

Let’s start with the super villain in this story: Firebrand.

IM 27 pg1

When I was younger I had no idea what a “firebrand” was. I knew that this bad guy had fire related powers, but no idea that his name was also relevant to the story. Of course now we have the internet for instant definitions:

Firebrand: one that creates unrest or strife (as in aggressively promoting a cause) :agitator
 – from www.merriam-webster.com

And our character makes with the agitating right off the top. He helps some local protesters break into the construction site of a community center that the Iron Man Foundation is paying for. Even though the protesters are excited about their sit-in Firebrand makes it clear he’s looking for a fight and then takes off.

IM 27 Firebrand Agitating

Eddie March, who you may remember did a brief stint as Iron Man, is now out of the hospital and has been selected to be the director of the new community center since he is both a native son of Bay City and also has the popularity of being Iron Man for his short time. As they head to the site, Eddie marvels at the changes to the city, with the exception of the North Side which is just as bleak as he remembers it being when he was a kid.

IM 27 Eddie sees the city

He and Iron Man arrive at the construction site with the city councilman in charge of the community center, Lyle Bradshaw, to see that there is already a bit of trouble between the protesters (black) and police (white).

IM 27 Trouble at the site

There’s almost a Commedia dell’arte feel to the characters from this point. Not that they are directly from the Commedia tradition, but that there are archetypes that each character represents.  Iron Man is the unbiased moral “right” that wants what is best for all within the law. It is worth noting that Tony Stark appears very little in this issue. For 95% he is in his Iron Man guise – a superhero with no definable skin color. Eddie March is the biased “right” who can relate to the protesters more than Iron Man can. The protesters, all black, represent the civil struggle and members of it become the focus of different variations within that struggle. The police, all white, represent the white establishment defined by law without bigotry. Lyle Bradshaw represents exploitative greed and the white establishment defined by bigotry. These are some pretty heavy concepts to toss into what were called, at the time, “funny books.” My 9 year old brain saw them more as:

  • Iron Man = Awesome
  • Eddie March = Was Iron Man = Awesome
  • Firebrand = Bad guy with fire powers
  • Protesters = Poor and Suffering
  • Police = Police
  • Bradshaw = Jerk

So I saw the good guys versus the bad guys in the issue, but I missed all the nuance of how this applied to the times. It is also worth noting that reading this issue with today’s current events in mind, like Ferguson and “Black Lives Matter,” that as far as we’ve come, there is still a way to go.

Taking advantage of the unrest, Firebrand shows up and a riot starts.

IM 27 The riots start

There’s a super villain/super hero fight that happens, but that’s not the point of the issue. Instead, the poignant plot line is between Eddie March and a young woman he saves from the riot, Helene.

IM 27 Eddie saves Helene

After they escape, Helene takes Eddie through the city and they discuss what might actually help raise the community as opposed to just have a community center built for them.

IM 27 Eddie and Helene in the city

While this is happening we get some background into how Firebrand came to be.

IM 27 Firebrand Origin

And how he built his suit (a bit of unintentional foreshadowing to The Armor Wars and The Five Nightmares).

IM 27 Armor Wars foreshadow

Battle aside, Iron Man, Eddie, Helene and Councilman Bradshaw eventually all end up back at the councilman’s office and discuss what might be best for the community – which leads to an impasse. Naturally, Firebrand shows up, raises hell, and kidnaps Councilman Bradshaw.

IM 27 The impasseWe also find out that Bradshaw is completely corrupt and is profiting on the community center.

IM 27 Firebrand kidnaps the truth revealed

Normally, in a comic book, we’d expect to have everything wrap up all nice an clean, but it doesn’t. Firebrand escapes.  The riot is stopped, but so is construction of the community center. Eddie and Helene get jobs at the Iron Man Foundation. But the comic even mentions that it is a very slow matter to get back to healing and understanding.

IM 27 Last 2 pages

The last panels bring the whole thing home.

IM 27 Last Panels

I don’t know that we have the same kind of material created for children that addresses issues like this in the same way that they did back in the 70’s. It was a time for experimentation and breaking established rules and that lead to some great filmmaking, music, and storytelling. It’s also strange to me that a story this on the nose still found a way to get over my head. I guess there’s no stopping a pre-adolescent brain that’s obsessed more with the super hero than the stories that he is featured in. Regardless, it is very eye opening to re-read this now and get a whole new sense of meaning from it. Although not the original point of this project, it has been a very nice bonus.

See you next time.

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A Brief History of the Iron Man Hulkbuster Armor

 

Photo from ScreenCrush.com

Photo from ScreenCrush.com

The new Avengers: Age of Ultron trailers are pretty great! I can’t wait until May! And the stand out star so far has been the Hulk-Buster armor that Iron Man fights the Hulk in. Let’s check the tape:

 

Pretty cool, right? There’s something about two big things beating the crap out of each other that just says “blockbuster!” Is there anything else that can explain the success of the Bay-former movies? But I don’t want to get distracted.

The Hulkbuster first appeared in 1994 during a series of stories written by Len Kaminski and penciled by Kev Hopgood where Iron Man was trying to clean up old Stane factories that were polluting the environment or working on hazardous projects. Each issue had a different guest star including Venom (he was being positioned as a hero at the time), Deathlok and Smart Hulk (when the Hulk had the strength of the hulk, the mind of Bruce Banner and the attitude of the grey Hulk… ask a comic geek, they’ll tell you what that all mean. It was the 90’s). The technical first appearance of the Hulkbuster is in Iron Man 304, but it’s just the final page as a teaser for the next month.

Photo from ComicVine.com

Photo from ComicVine.com

All the actual Hulkbuster action is in Iron Man 305 “Green Politics.”

Photo from Marvel.Wikia.com

Photo from Marvel.Wikia.com

The original Hulkbuster was actual a series of add on bits for the armor that Iron Man used at the time called, believe it or not, the Modular Armor which switched out systems and weapons on a mission specific basis. A lot of different bits and bobs were created and used, but the Hulkbuster stands out and the only truly memorable one.

Since then there have been many versions of the Hulkbuster in both art and action figure form. I was going to post some of those images here but it’s actually worth seeing how much has been created so HERE’S A LINK TO A GOOGLE IMAGES SEARCH.

Film wise, we all thought we were getting a Hulkbuster in Iron Man 3, but instead we got “Igor”:

Photo from MarvelToyNews.com

Photo from MarvelToyNews.com

It was a little disappointing.

Then we got this concept art from Age of Ultron:

Photo from Marvel.Wikia.com

Photo from Marvel.Wikia.com

And all Iron Man geek hearts were a-flutter!

Seeing the Hulkbuster in action is just whetting my appetite even more and you know I’ll be first in line when Avengers 2 comes out in May!

Well, first in line at a reasonable hour, I’m too old for midnight shows anymore.

Are you excited for Avengers: Age of Ultron? Hit the comments!

See you next time.

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Project: Iron Man – Issues 21 & 22 Fandom & Obsession Leads to Misunderstandings & Tragedy

Being a fanboy is nothing new to me, as I’m sure you’ve noticed if you’ve read these entries at all, and it’s fitting to have the next story line in Project: Iron Man focus on being a fan… along with a tale about unrequited love and some of the fantasies that go along with both of those things.

The Iron Man cover for issue 21 continues the streak of red herrings that are so typical for this time period. The dramatic, “I QUIT!” along with the image of Tony Stark throwing his Iron Man helmet to the ground. Yes this is another issue where Tony gives up being Iron Man, but he’s not nearly so upset about it and it also isn’t a very long retirement.

Take our opening page here:

Is Iron Man fighting a boxer and losing??!?!?

No, of course not. We’re inside the mind of Eddie “Iron Man” March. Iron Man is Eddie’s favorite superhero and a huge influence in his life. And in the end his admiration of Iron Man helps Eddie win the fight!

Eddie March is the placeholder for the reader – albeit he happens to be a world class boxer – and his wish to be Iron Man mirrors our own. When I was a kid I played Iron Man all the time. Because I grew up in the middle period between the Secret Wars figures (which I would eventually get in several forms) and the Toy Biz release I re-painted and re-purposed other action figures to be Iron Man. 
Shellhead would regularly battle my M.U.S.C.L.E. men and Lord Dread from Captain Power.

Lord Dread was actually a really cool figure. Since he didn’t have much characterization in his own show (he sat in a chair and said “evil” things) having a cyborg in a cape with a laser sword made for a good recurring enemy. In my adventures he was an evil genius of Doctor Doom caliber. Very nasty indeed!

But back to Eddie…

Due to his years in the ring we find out that he has a brain condition and needs to quit fighting.

But as one dream dies another is about to come true. Tony Stark, now that he has a repaired heart, has been holding back in his battles with Iron Man because he doesn’t have the “I’m going to die anyway” confidence that he once had. In a battle with the new Crimson Dynamo he decides to pass the mantle of Iron Man on.

Naturally – because we only have about twenty pages to tell this story – both Tony and Happy Hogan (Tony’s confidant for the uninitiated) agree that Eddie March is the man for the job! Talk about wish fulfillment! This played right into the the very thing I wanted as a kid (and would still be pretty cool, quite frankly) getting trained to be Iron Man with your very own set of Iron Man armor!

He even does pretty well for himself in his first fight:

But reality (or what passes for it in a comic book universe) rears its ugly head. The blood clot in his brain is still there and, even though the Iron Man armor can take some hard impacts, fighting the Crimson Dynamo is enough to take Eddie down.

At the beginning of issue 22 things are looking bad for Eddie and suddenly being a superhero for real isn’t looking so great for the reader, but Tony makes it in time to get Eddie to the hospital.

Because of Eddie’s willingness to sacrifice himself for the honor of being Iron Man Tony resolves that no one else should have to carry the burden and decides to remain Iron Man – although that changes when he becomes a drunk, but that’s about 100 issues away.
And by page three our story turns from wish fulfillment to a tale of broken hearts and misunderstandings. How often has this happened to you? You defect from your country, change your name and go into hiding from the KGB, get hired by the rival of the person you hate the most, fall in love with the owner of that company and then use a super suit of your own design to not only beat down the symbol of your rival’s company but also impress the girl you love? All the time, right? Well for Alex Niven, the new Crimson Dynamo, that’s exactly what’s going on.
The problem here is that the KGB in the Marvel Universe, unlike the real world, can send the Titanium Man to come get you when they find you.

Titanium Man is bad news. Ten feet tall in a battle armor that is comparable to Iron Man and piloted by a guy who is losing his humanity. Not good. Alex saves Janice, but Shellhead shows up assuming that he is stealing her away – classic comic book misunderstanding.

Janice tries to tell Iron Man that the Crimson Dynamo is helping, but he doesn’t listen. Originally I was going to point out that this is a mildly misogynistic trope from the 60’s, but then I thought about all the times Rene has said, “Why don’t you listen to me?” and it made me realize that, apparently, men just don’t listen to women. Since no one is listening, and there’s a Titanium Man rampaging about, people get hurt.

Alex, fearing the worst and wearing a damaged armor, runs away. Iron Man puts down Titanium Man and finds Janice near death. Which just goes to show that jealousy + super powerful battle armor = dead girlfriend.

Although the example is extreme, I can see with hindsight how jealousy and pointless bravado led to similar no win situations in my own life – especially in my teens. As much as an adolescent boy may think girls will like the 12 year old comic book action hero it rarely turns out to be true. Maybe if I had paid more attention to the life lessons in my comic books I could have avoided some of that (probably not).

See you next time!

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The People vs. George Lucas, Cultural Ownership & Questioning What All This Means As A Content Creator

From disassociated.com

I recently watched the documentary “The People vs. George Lucas” on Netflix. In it the filmmakers explore the rise and fall of the public’s perception of George Lucas especially through the eyes of Star Wars fans and their reaction to the prequels. I could identify with the people shown in the film. For a long time I was a die hard Star Wars fanboy. If you knew me from the years of 1977 until the release of the prequels in 1999 you would have seen my shrine to Yoda, whose teachings were very important to me even though I knew that he was a fictional character spouting phrases that were highly influenced by Eastern philosophy. The original trilogy was memorized and could be quoted on demand. I knew obscure facts that couldn’t even be referenced directly by only watching the movies, it required research into the development of the films and the original drafts of the screen play. I have read the “Journal of the Whills” that is now getting a comic book adaptation – and I did it in 1993 BEFORE THE INTERNET! The expanded universe, novels, toys, video games, toys, the Christmas Special, toys, posters, concept art and toys. I was committed and baptized in the church of Star Wars and, as Rene likes to point out whenever my geek cred is challenged, held court in public on the subject. There wasn’t much wool more dyed in the universe of Star Wars than I and so when the prequels came out it and they ended up being what they were…

The fall was hard and the disappointment was… I can’t even think of a word.

But I was willing to give it another shot. This universe had been a backbone of my childhood fantasy life and I couldn’t give up just because one film was terrible.

Episode 2 came out and, even though Yoda kicked a lot of ass, I was, again, very disappointed. Seriously, is any wonder the Jedi were killed off? They didn’t know their ass from their elbow.

By the time Episode 3 came out I was far from enthusiastic. I really only saw the movie to complete the story. But then Darth Vader screamed, “No” and I was out.

I’m not even going to mention the whole “Han shot first” thing. But he did and my children will not grow up in a world where Greedo shot first. Check out this video where I embarrass myself by mixing up the whole Han/Greedo thing. So embarrassing!

Anyway, I have friends who are still committed. A director friend of mine runs a Star Wars RPG with select members of young Hollywood. Others still collect the merchandise. Most fellow geeks I know own a light saber or two.

I completely gave it up.

I felt betrayed, and so did so many of the people interviewed in the film. The Special Editions are supposed to be the new definitive versions of the original trilogy and, while I actually like many of the adjustments and additions, this is also the same set of movies that have the abysmal Han/Greedo problem and the terrible extra Jabba the Hutt scene. Lets not even mention the fact that two key songs were cut: Yub Nub and the Sy Snoodles song. For me, personally, I could even rationalize all this with my inner raging fanboy if the original version were somehow available somewhere. Somewhere! Here’s hoping that Disney does a little market research and sees that there is a whole lot of niche money in releasing the originals *fingers crossed

These are the ravings of a lost fanboy, but these feelings, and the film, both raise a very valid question: where does private ownership end and communal cultural ownership begin? When do we as the public, who have loved something and made our own contributions to it’s mythos, get to claim a piece of the entertainment we consume? I’m not even talking about a monetary piece – that’s a whole different can of worms – but a little corner of the universe that fans can claim as their own.

It’s not like fans are kept from doing things. Fan films are practically their own genre, some are even famous on their own right (see Troops and Batman: Dead End). Novels are the printed fan-fiction of recognized authors and if you’re a Whovian you have a whole set of radio dramas to help build the list of Doctor Who adventures with a variety of different Doctors to choose from. Will and passion become the fuel that generates whole new chapters to the stories that we love. Whether you’re a Lord of the Rings fan, Potter-maniac, Whovian, Trekkie, Star Wars geek or Bronie, the Internet now connects you to like-minded individuals, many of whom may have a podcast or enough amateur film equipment to create new content.

And that’s when I start to question what that might mean for the future and for the content I like to create. There are movies and narrative film ideas that the team and I have been working on, but I’m only really getting to a point where I’ve stated to develop the ideas for new characters, worlds and stories that I hope to publish and capture on some sort of video media. While it would be hubris to think that anything that I write would become anything as big or as beloved as any of the universes I mentioned above, I have hopes that it might. And you kind of need to think of the “the morning after the night before” to be prepared for the “just in case” scenario.

With crowd sourcing and Internet community becoming not only common but typical and growing and more and more a part of our lives, it’s interesting to think about how that can integrate into content creation. I want fan support (I mean, duh, that’s kind of a given) but I also want participation. Sometimes fan ideas take your ideas in places you can’t imagine on your own and they challenge the preconceptions that you develop for yourself. It’s exciting and it’s scary and its the future.

What do you think? How did you feel about the Special Editions and the prequels? What are you a geek for? Tell me in the comments. Let’s keep this conversation going!

See you next time.

By the way, want to own the movie on DVD? You can find it by clicking on the picture below.

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Blatant Iron Man Plug: Iron Man 3 Trailer

I.

Can’t.

Wait!

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