I did this movie last year. We shot at Aldworth Manor in late September and October. It was a gorgeous location and such a great time with a great team. I’m very grateful to have had this experience and I’m REALLY excited for you all to see it!
I am currently on location in Harrisville, New Hampshire at Aldworth Manor shooting the new indie horror movie Squirrel. It’s been a lot of fun and you’re going to see a lot of it if you’re following me on social media.
Autumn is my favorite time of year and October is one of my favorite months. Rene and I got married in October, we LOVE Halloween, the weather is my preferred type with clouds and rain and chill, it’s our cup of tea. It’s really hard to be all the way across the country away from her and Frankie. They seem to be having a good time back in Portland and Frankie is super-cute in his outfits to keep him warm, as you can can see in these pictures:
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But it’s still hard. So I’ve been keeping myself busy in my downtime.
In the interest of Halloween, I’m telling spooky stories here at the manor. The first one you can see here:
I’ll be doing more all month and these stories are TRUE! Also, the manor house is apparently haunted so I’m going to be going through it with some of the cast and crew later this month to see if we can “catch” anything. Here’s a preview of that from Friday the 13th:
Of course, it wouldn’t be Halloween if I didn’t post Bloody Mary again – it’s a tradition:
And since we won’t be able to do LIVE Discussions for a while, here’s one that i think is still incredibly relevant on being a journeyman actor:
Oh, and I forgot to mention that we have COOL NEW MERCH NOW! You can see that HERE.
You can currently order these cool designs:
Of course, our patrons have first crack at all new material and at the higher levels of patronage you get discounts on your order! You can check that out HERE.
Please like, subscribe, click the links, share, follow – you know, do all the good social media stuff! We’ll see you soon!
The entertainment industry is changing faster now than it ever has before. The last decade has seen an exponential change in how audiences consume content, where content is created, how content can be monetized, and what that means for the people who create all of this content. I see this from the perspective of the “working class” trenches: no development fund, need to maintain employment, still keeping up a hustle. For people like me (and there are a LOT of us) we have seen this change in a very real way for a long time and, as much as I hate to admit it, haven’t been as proactive as we probably should have been to be on the front of that wave.
Instead the younger set, those without the idea of “this is how things work” found their place. YouTubers are doing very well for themselves and Hollywood is taking notice, ready to monetize on their popularity. Fan films get national attention and have their own festival circuit. The biggest name in horror for the last seven years has been Paranormal Activity – a series that started with a movie made for about $11,000 in a dude’s house with After Effects.
For those with vision and a camera the future is open and ready…
…that being said, the old model is far from dead.
A lot of talk happened the Monday after the Golden Globes when Netflix and Amazon both walked away with coveted trophies about how the nature of television is changing and that the very business is already inexorably changed. And it is, but not completely. Not yet.
Here are two articles that, for me, were kind of the yin and yang of the future of the business, at least for the next few years especially in the context of wide public distribution, like television.
CurtisAndersen.com is officially back up and, although there’s still some tweeking to do, it’s time to post again!
The big thing I want to focus on is the launch of Fun Size Horror which is NEXT MONDAY! Not familiar with Fun Size Horror? It’s 31 micro-short horror films playing the week of Halloween done by over a dozen up-and-coming filmmakers, including yours truly. Follow the links to the WEBSITE and FACEBOOK PAGE. It’s been a hell of a thing getting this together this year, but the projects that I’ve seen come through are really good and cover the spectrum of horror sub-genres. Go check things out and look for Bloody Mary on Wednesday October 29th on Shock Till You Drop.
The last thing I want to touch on is the new Avengers: Age of Ultron trailer – omfg.
Being an independent filmmaker who has done his fair share of super low budget productions I always have an appreciation for getting special effects at a reasonable price. Back in the mid to late 2000’s I saw some of the early episodes of DIY Effects and really enjoyed them. I thought that these guys had vanished into the electronic soup of the internet – but no! They are now sponsored by Epix and still making DIY videos.
This one I particularly like because it has puppets. And it led me to watching Dredd which was a surprisingly good movie.
Op Ed: The Future of Entertainment
Image from MediaBistro.com
The entertainment industry is changing faster now than it ever has before. The last decade has seen an exponential change in how audiences consume content, where content is created, how content can be monetized, and what that means for the people who create all of this content. I see this from the perspective of the “working class” trenches: no development fund, need to maintain employment, still keeping up a hustle. For people like me (and there are a LOT of us) we have seen this change in a very real way for a long time and, as much as I hate to admit it, haven’t been as proactive as we probably should have been to be on the front of that wave.
Instead the younger set, those without the idea of “this is how things work” found their place. YouTubers are doing very well for themselves and Hollywood is taking notice, ready to monetize on their popularity. Fan films get national attention and have their own festival circuit. The biggest name in horror for the last seven years has been Paranormal Activity – a series that started with a movie made for about $11,000 in a dude’s house with After Effects.
For those with vision and a camera the future is open and ready…
…that being said, the old model is far from dead.
A lot of talk happened the Monday after the Golden Globes when Netflix and Amazon both walked away with coveted trophies about how the nature of television is changing and that the very business is already inexorably changed. And it is, but not completely. Not yet.
Here are two articles that, for me, were kind of the yin and yang of the future of the business, at least for the next few years especially in the context of wide public distribution, like television.
A Few Caveats About The New World Of Television from Monkey See from NPR
The Golden Globes Tell Us Everything About the Entertainment Industry in 2015 from IndieWire
I’m a “new model” guy who’s ready for the wild west, but it’s hard to pass up the money that can come with “old model” companies.
What do you think? Comment below.
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